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Corey the owlbear crunched and slammed his way through the deep dark silent forest. As he crashed into a moondrenched clearing he came to a stop. Hidden there from public view was a glistening pond with one silent resident. When he saw Alex everything stopped for him. Her speckled tentacles floated through the dark pool and she looked up at him with a look he'd never forget and Corey began to sing.
Ink and colored pencil on Fabriano paper, 11" x 14"
Greetings monster lovers!
So it seems that it has been WAY too long since I've posted here. I hope you're still out there aboard the iiiiiiinnnterrnet!
Tonight I'm taking a new approach that I've been working on for my facebook artist's page. I have a commissioned monsterized pet portrait under way. I'm posting the step-by-step on facebook and thought the 365 Monsters readers would enjoy seeing it too.
I hope you do!
It's a chicken and egg situation. Which came first: the man-eating monster or its blobby environment?
Mankind will continue to ask these meaningful questions but may never truly know the answer.
Ink on watercolor paper, 7" x 9"
I've used the same ink bottle to create nearly every single monster chronicled here in this blog. When I walked into the studio tonight I found that the ink had taken on a hideous and evil form of its own. As I backed out of the studio I kept my eyes on the rallying ink monsters and focused my sights on survival.
Ink on Mi-Teintes pastel paper, 8" x 10"
Some creatures in this world are so well adapted that they can camouflage themselves into any environment. But the eyes are always true. Why else do you think you search the inky darkness for 2 tiny reflections?
Ink and colored pencil on Mi-Teintes pastel paper, 8" x 10"
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